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Camera

The camera department is helmed by the Director of Photography (DOP or DP), who collaborates with the Director to capture and shoot the production.

What does working in this department look like? 

The work in this department covers all aspects from creative, technical, and physical. Various techniques include setting up the shot, making sure the shot is in focus, handling and operating equipment, as well as coordinating with the Digital Imaging Technician (DIT) in preparing dailies.

The Camera Team is often broken up into the following craft categories:

  • Motion Picture Technicians
  • 3D Technicians
  • Digital Technicians
  • Video Technicians
  • Playback Technicians
  • Remote System Technicians
  • Remotely Piloted Aircraft Systems Category
  • Still Photography
  • Publicity
  • Aerial Photography Technicians
  • Special Photography Technicians

What jobs are available? 

  • Director of Photography
  • 2nd Unit Director of Photography
  • Camera Operator
  • Steadicam Operator
  • 1st AC (Assistant Cameraperson)
  • 2nd AC (Assistant Cameraperson)
  • Camera Trainee
  • Stereographer
  • Digital Imaging Technician (DIT)
  • Digital Loader
  • Digital Utility

 

  • EPK Director of Photography / Camera Operator
  • Teleprompter Operator
  • Motion Picture Video Coordinator (MPVC)
  • Motion Picture Video Assistant (MPVA1)
  • Remote Head Technician
  • Drone Operator (Pilot)
  • Drone Operator Operator
  • Drone Camera Assistant

 

  • Still Photographer
  • Senior Unit Publicist
  • Underwater Director of Photography
  • Underwater Camera Operator
  • Underwater Camera Assistant
  • Aerial Director of Photography & Aerial Camera Operator
  • Phantom Camera Technician

Skills needed

  • Working in the camera department typically requires extensive on-the-job training with hands-on expertise in the various types of equipment used.
  • This experience can be gained through education and working on independent films, commercials or movies of the week (which has the advantage of accruing the requisite paid days of work to qualify for membership in ICG 669, the labour organization who represents the camera department).
  • Another path to this knowledge and experience in British Columbia is to join the ICG 669 Camera Trainee program which has a structured program providing training and work experience on a variety of productions.

Experience

  • Knowledgeable about various camera models and systems (both digital and film).
  • Familiar with work techniques and equipment used in film and TV production.
  • Strong attention to detail, excellent interpersonal and communication skills, and the ability to adapt to changing environments is crucial.

Many job roles in the motion picture industry are represented by a union or guild.

If you see a logo below, the role may be covered by a union or guild.  Please consult those organizations to understand the requirements (such as certification, licensing or work experience) to join as a member.   

Community

Connecting with these organizations is a great way to expand your network, gain knowledge and attend events to further your career.

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